Artist's Comments
This scene takes place during Chapter Seven of The Enemy's Son, just before Lomax's ship, The General is attacked by the leviathan Old Yana. Anyone already familiar with Ado's depiction [link] from the end of that chapter will already know the inevitable. The scene begins with the Siran attacking, then builds from there.
I wanted to capture a sense of forboding and convey that horrible feeling you get when you catch a glimpse of what lies beneath. |
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May 29, 2007
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Comments
--
"The animated figures stand
Adorning every public street
And seem to breathe in stone, or
move their marble feet."
-Pindar, 464 BC: Olympian Odes 7
--
'Hey, where you headed?'
'Nowhere special.'
'Get on, I'll take you there.'
--
Richard (James Johnson)
"One truth is clear 'Whatever is, is right.'"
Alexander Pope
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The Enemy's Son: Erth Chronicles Book I
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I have tried to inject a bit of classic mythology. She was actually labeeled the Kraken at one stage, but I felt this was becoming too cliche - I'd wrote the scene two years prior to Dead Man's Chest and wanted it to be as far removed from that as possible. So, the tale of Old Yana is told by Pirian, a cursed, female thief that breeds with the sea. This is what she has become.
I was trying to give the impression of perspective, it is closer to the camera, the idea is that is The General moving towards it, some of Old Yana's heads are closer than others.
--
Richard (James Johnson)
"One truth is clear 'Whatever is, is right.'"
Alexander Pope
---------------------------------------
The Enemy's Son: Erth Chronicles Book I
---------------------------------------
Yeah, creepiness is what I wanted to go for - -more deep sea reference rather than 'octopus' or 'squid' as traditionally depicted. I think you have read this chapter, so you know the back story. The tale of Old Yana was to add more depth to the character and pull away from the traditional Leviathan / Kraken reference. I had wrote this scene two years prior to ,i>Dead Man's Chest,/i>, so was obviously conscious of comparison. Her tale is a tragic story and a clear connection between her spawn the Siren / Siran. I like the idea of a woman who has bred with the sea - or has she? Is this just simply a mythic beast, or even a mutation from the inferno. These suggestions and ambiguity are key to the world of Erth. I want people to question - is this Earth in the future? Has it lost its identity? (Hence dropping the 'a'
I think it can be interpreted in many ways - which is exactly what I want the reader to do. I'm sure some / most younf adults won't see the deeper layers - but adults may.
--
Richard (James Johnson)
"One truth is clear 'Whatever is, is right.'"
Alexander Pope
---------------------------------------
The Enemy's Son: Erth Chronicles Book I
---------------------------------------
The multilayered story is very appealing to me - and the mixing and twisting of mythology is great, when done in a way where it strengthens it - like giving a creature drive and motivation, by creating a backstory that makes the reader/viewer able to relate to them on an emotional level. I'm actually not familiar with the story of the original Leviathan/Kraken, but Old Yana is definitely also on my list of things to do
--
'Hey, where you headed?'
'Nowhere special.'
'Get on, I'll take you there.'
--
Richard (James Johnson)
"One truth is clear 'Whatever is, is right.'"
Alexander Pope
---------------------------------------
The Enemy's Son: Erth Chronicles Book I
---------------------------------------
Yeah got that perspective thing, but it still looks like it's bigger
--
"The animated figures stand
Adorning every public street
And seem to breathe in stone, or
move their marble feet."
-Pindar, 464 BC: Olympian Odes 7
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